Identity, memory and concealment are themes that connect much of Graff’s oeuvre. The black box can be seen symbolically as a recording device, relating to what Sigmund Freud described as the Uncanny. In his explanations on the unconscious, Freud maintained that what is concealed is not only hidden from others, but may also be hidden from the self. He likened the uncanny to being robbed of one’s eyes. The black box also relates to methods of media censorship and in the words of the artist, offers ‘a veil of protection for the subjects.’

Action Jackson 2007 Oil on Canvas 150 x 200 cm 
Turkish Spectators 2014. Oil on canvas 160 x 200 cm 
Man in a green mask. 2014. Oil on canvas 80 x 60 cm 
Ecole Des Beaux Arts II. 2006 Oil on canvas. 127 x 153 cm 
The Interview 2007 Oil on canvas 
Violet Contortionist 2017 Oil on Canvas 
Original Sin I. 2014 Oil on canvas 200 x 160 cm 
Boat Ride. 2013 Oil on canvas 
Alma. 2015 Oil on canvas with found object. 
Turkish Manifesto. 1995. Oil on canvas 96 x 73 cm 
Woman with a Rubber Tyre. 1997 Oil on panel and mixed media. 100 x 160 cm 
The Irascibles. 1996 Oil on canvas 244 x 183 cm 
Artist and Model. 2006 Oil on canvas 50 x 40 cm 

The First Monochrome. 2006 Oil on canvas 50 x 61cm 
Contemplating the Void. 2005 90 x 70 cm 
Refugees. 2005. Oil on canvas (90 x 70 cm) 
Crimson Ball. 2014 Oil on Canvas 90 x 125 cm 
Ecole Des Beaux Arts I. 1996. Oil on canvas 117 x 152 cm 
Freud’s Window. 1997 Oil on canvas 86 x 60 cm
All photographs, images and texts on this website are protected by copyright and may not be reproduced or transmitted in any form without prior permission from the artist. All rights reserved © Stephane Graff